Societies with secrets, security culture and online social media

There’s a post about a new Social Media Code of Conduct for Massachusetts Freemasons [PDF] (HT @Masonictraveller) over at Freemason Information, part of The Beehive series by Fred Milliken. This document mentioned is particularly interesting to me because it touches on some issues I think are important; and the reactions to the document are also interesting. (I’m also more amused than I should be that the date on the original document is May 1st, International Workers’ Day, due to the frisson between seemingly oft conservative Freemasons and the ideas of the, frankly quite often more broadly fraternal to my mind, international workers’ movement; and, also because of the connection between the ideas I’m going to talk about and the direct and indirect history of May Day.)

I should also say that I’m intentionally using the term “society with secrets” here to mean not just Freemasonry, but really any group with secrets that is publicly known. Freemasonry is not a secret society, really, after all. But, like everyone sharing a book or movie recommendation who doesn’t want to reveal the important points of the plot, let alone the ending, Freemasonry does have secrets. (I’ve been meaning to write about my thoughts around “society with secrets vs secret societies” for a long time, but, I suppose the fullness of that topic will remains one of my own secret for now.)


The “code of conduct” document itself offers a number of specific directives about how the Freemasonic Grand Lodge of Massachusetts wishes its members to behave online, not just in social media though that’s what the title suggests is the scope.


“As a Mason, he must be aware that his postings are a permanent record; therefore, his conduct may influence the world with a positive or a negative opinion about him personally and also about any organizations to which he belongs.”

As the librarian of the Hermetic Library, I can say I’ve received email from people several times wishing my help to remove, alter or obfuscate content they wrote that still appears online.

In some cases, people want their names removed. In some cases, people want the content to go away. In others, they want links to archives of their content removed so that Google stops indexing the linked to archive. In even other cases, people have contacted me to let me know they’ve removed previously written content from their site due to a new role they’ve taken in which those comments aren’t now appropriate, as if the whole of one’s history is merely, and must conform with, the current accidents of the moment (which ironically requires history to constantly be changed to make an illusion). In some cases, it’s clear that the person contacting me is embarrassed by something they’ve written in the past and wants to distance themselves from that; which motive I personally find revolting and pathetic and deceitful. In other cases, the motives are more or less clean, such as needing to manage how others might use past writing as a weapon, how others might twist and misrepresent the past to impune the present person. (You might, or not, be surprised at how much vitriol and willful harassment there is out there, sometimes hidden in back channels and sometimes not, in which cases managing access to one’s information becomes important as a defensive measure against evil, unscrupulous or stalker-y people.) So, there’s a whole gamut of reasons why people seem to want their previous work forgotten.

Interestingly, there may seem a serious disconnect in my own views on this matter. For example, I am viciously adamant about my own right to remove content from services like Facebook, but I am relatively lassez-faire about my content being permanently on display in various revisions at the Wayback Machine. Of course, the primary difference is that Facebook, and corporations like it purporting to offer a service, is in fact constantly and expansively trying to enclose and encumber not just the works of our minds but every hour of our lives in order to control and monetize both; and to that my resistance is very consistent and internally consistent.


“Do not identify any Freemason as a member of the Craft unless he has provided his consent, or has already identified himself as such.”

Another of the points in this code of conduct is not to reveal the identity of a member unless they’ve already done so. This point is a big one for many sub-cultures, and is an important one. “Outing” another person is a serious breach of security and etiquette. But, it should also be considered a serious breach to reveal information about not just the identity but also the location and activities of another member, especially to strangers. (This point is a hint at why personally I almost universally refuse to broadcast my future whereabouts or add instant, or even relatively contemporaneous, geolocation data to my content. I also do not participate in any service which is either dedicated to showing my instant location data or where I cannot hide that, even from “friends”, even so far as to eschew instant messaging services in favour of asynchronous email.)

Anyone with any IT security experience should be able to share strong reasons not to succumb to social engineering, revealing important details to not only strangers but even well-known people who should not have some bits of information. Anyone who’s worked in retail or the service industry should be able to confirm how dangerous it can be to reveal personal information or work schedules of co-workers, both about their time at work and their time away from work. Loose lips not only sink ships and breach internal security, but lead to things like stalking and other antisocial behaviour.

I can hardly begin to tell you the times I’ve gotten strange looks and had eyes rolled at me when I’ve tried to educate people about the dangers and dimwittedness of revealing information about not only others but about themselves to strangers. I cannot count on my fingers the number of times I’ve tried to shush someone who’s speaking on the phone to some random stranger who’s just called and to whom they are revealing all kinds of privileged information about someone else’s schedule and whereabouts … It’s just shocking and disheartening to have people I know, or moreover people I’ve cared about, be so dumb about such things. Really, the Pavlovian desperation to respond most people have to phone and electronic communications, and moreover the ease with which most people reveal information (passwords, account information or even just random particulars) to some unknown person as if merely by being on the phone or online imbues some Milgrim-like authority, is something both breathtaking and bizarre to me.

Developing security culture is not just about the security of groups, but is also protecting individuals. I hope those people prone to such information breaches are never in the situation where they learn the hard way by ending up pursued by a stalker, pursued by someone so mentally stunted or backward that they cannot understand the meaning of “no” or even the basic social contract of consent, and then to have information about their activities and whereabouts revealed by themselves or others simply because they didn’t know better. And if that ever happens I hope that nothing seriously harmful happens as a consequence other than learning to be more careful next time, though so many worse things are possible.

Just one more story, of any number of others, about this: At one of the really big Occupy marches in Portland, OR, I have to tell you I cringed every time someone yelled out another person’s name to get their attention. Really? Serious protest foul, that, people!

But, really, the lack of awareness about security culture is a symptom of not having one in the first place. How’s that for a tautology? No, seriously, the adoption of a general security culture could be helped by having serious security culture in subcultural groups, and thus pushing out the wave of adoption by having smaller groups educate and inform their members who then end up bringing that awareness to larger groups and the overall culture in which they each participate. (So, now that you’ve read this, go and find out more so I can pretend I’ve been effective in widening the general awareness of security culture …)


The commentary in the post itself, and the comments by readers to that post, over at Freemason Information are interesting to me as well. Primarily the reaction is focused on how some of the points in the code of conduct are just common sense ideas about protocol and etiquette, but there’s also a perception that the code of conduct is an overreaching attempt to control the actions of members. I think this code of conduct document, while not perfect, seems to me a good first step toward building a meaningful and reasonable security culture. The worth of that, at the very least, is as a catalyst to considering and talking about meaningful and reasonable security culture for any subcultural group of people, whether that’s in, to name a few, a fraternal organization, social club, workplace, or, yes, even in one’s own home environment. But, recognizing that such ideas can be seen as unreasonable attempts to control behaviour suggests how important it is to reveal and share the reasoning behind them, and the reasons why they are being suggested.


There’s a lot of useful thinking and writing that’s been done on creating security culture, and this post is merely a few initial words on the topic. I wrote a setup document for GnuPG, aimed at members of a society with secrets in which I am involved which has a mandate for the use of encryption which is not supported by a culture in which use of encryption is easy for non-technical users or even has much use in spite of the mandate. In that document I tried to include some background and links to further information about security culture, by way of saying how important it is to at least think about such things in any social group with secrets. In the same way that the encryption requirement by the US Grand Lodge of Ordo Templi Orientis is essentially and largely mooted by the apparent lack of implementation among the membership, the Grand Lodge of Massachusetts has started down a pretty slippery slope of creating mandated behaviour and requirements that it cannot hope to maintain ahead of breaches of conduct, but rather only after the fact in selective punishment against those who happen to get caught. Without a security culture, these rules are mostly meaningless as far as stopping behaviours from happening and are really only rubrics that can be used to evaluate behaviours that have already occurred. In other words, it seems to me, these kinds of guidelines need to be part of a program of proactive education instead of taken as proscriptive measures to control behaviour, and where they are merely the later they should be transformed into the former. Guidelines like these need to create a culture in the implementation not create criminals in the breach.

But really, I think the exposure to the ideas of, and how to create, security culture can offer an essential and necessary set of skills for people in this modern day information age to understand and implement the many overlapping circles of information scope in our lives. (Just as I believe thinking about and deconstructing propaganda models and theory offer essential skills for resisting the influence of not just canonical propaganda but also in resisting the influence of pervasive and invasive marketing and advertising in this Western culture.)

For a general primer, I’d encourage you to check out check out a few documents which stand out in my memory as good initial surveys: Towards a Collective Security Culture, Affinity Groups and Why do you need PGP?.

For further reading, you may be interested in Activism and Security Culture, Security Culture, and Security Culture. Beyond those, I commend you to your favourite search engine for further study.

As a last note, I can’t help but suggest and recommend two works, in no small part because these two are on the list of works that appear in my own thoughts consistently, which I think connect to this post and the broader subject of resistance culture. First, both for the history of the resistance of but also the resistance to the international labor movement, I’d like to suggest an excellent history of Industrial Workers of the World, The Wobblies: The Story of the IWW and Syndicalism in the United States by Patrick Renshaw. And, secondly, for the history and role of Freemasonry in the resistance culture of colonial and early American periods of United States history, Revolutionary Brotherhood: Freemasonry and the Transformation of the American Social Order, 1730-1840 by Steven C. Bullock.

MK Enochian TEX 2011sept21

This was the first actual working my magical partner and I have done since deciding to work together. We had planned on starting our long distance Enochian scrying last week, but scheduling conflicted with our intentions.

We did some pre-planning two weeks ago, and corresponded via Internet over the intervening time. M created an outline based on our decisions (PDF, 40 KB) and our source materials.

For this working, we incorporated ideas from personal conversations with other practitioners, a workshop by Scott Wilde and Onyieh Jewel, and Lon Milo DuQuette’s Enochian Vision Magick: An Introduction and Practical Guide to the Magick of Dr. John Dee and Edward Kelley as well as several of Lon’s in-person workshops.

I created an MP3 to help time our scrying (MP3, 73 MB) with gongs at 10 minute intervals.


Magdalene’s journal entry

9/21/11 10pm

weather-humid/rainy. high 60’s

Moon-  Cancer, waning crescent
Sun- Virgo

First Enochian working with JGB.  LBPR individually then did the calls/chants together.

30th Aethyr- TEX, calling Dozinal.

Didn’t see a damn thing!  Was very distracted and kept looking into the skype camera and seeing JGB’s candle and the shapes it was making.  Then couldn’t concentrate in the blacked out mirror.  Felt like it was a black hole pulling me into it.  Then when I closed my eyes, felt an immense weight on my shoulders and chest.  Crushing my heart.  The black shadow around JGB’s candle kept growing and wanted to expand and take over everything.  Breathing even felt harder to do, more shallow breaths.  The feeling was much more intense when I closed my eyes than when I was gazing into the mirror or JGB’s candle.

Felt really lightheaded and high when JGB was reading the call.  When I looked at him or tried to follow along, the feeling lessened but when i closed my eyes and just listened, felt very heady and like I was going into a trance.

The only visualization I saw was one I purposely put into my mind, trying to get things started and relax so I imaged a beach/ocean scene.  It didn’t stick and the heavy feeling took over again.


Kalokagathon’s journal entry

2011sep21 7pm
Sol in Virgo : Luna in Cancer : Anno IVxix era novis
69º clear and quiet

Prior to our meeting time: meal, pranayama, eucharist with mingled ingredient X from both of M & K, and prepared my working space.

Connected via video chat, and did a brief run-through of our outline. We resolved a few uncertainties and proceeded with the work.

Banishing. We had decided to each banish our spaces. I did Star Ruby (Liber XXV/Book 25) while M did LBRP. This was an interesting choice. M had LBRP recommended to her. I decided to try Star Ruby anyway. It was a bit distracting, as I plugged my headphones into the wrong jack, so could hear both of us. But, I loved hearing M’s voice as she vibrated the names for her LBRP. Beautiful!

Ceremony. We had decided that we would go through the prayers and letters together. There were some technical issues here as I think one or both of us were half-duplex so I didn’t get to hear M’s voice as clearly as I had hoped. Not sure what to do about that. When we got to the 19th Call, I read the Enochian and M followed by reading an English translation. We called the 30th Aethyr, TEX.

Scrying. We decided this time to both scry our own visions. We used an audio track to time our scrying, 30 minutes long with 3 gongs at 0, 10, 20 and 30. We had agreed to recite the governor Dozinal 3 times at each but the final set of gongs. During the scrying from 0-10 I had extremely vivid, visual and interesting imagery while gazing into the mirror, with candle and incense smoke against the reflection. From 10-20, my visuals ceased and instead I had simply a period of dizzy trancing with my eyes closed. At the 20 minute mark both M and I were done and journaling.

Journal of 0-10 minutes. An open air temple with Masonic black & white tiles, no roof. The four sons of Horus at the corners, in the shape of giant canopic jars in the position of the four rooks, were pillars for the temple.
To one side of the temple was a mountain, another an golden beach with azure ocean, then a deep cenote, and on the final side an expanse of sky with complex clouds.

M & K appeared in the temple, standing near and facing each other, smiling and we were met by a giant shrouded figure. This figure was male, but without any distinct features showing from beneath a muted turquoise coloured shroud. The figure placed a metal star flat on an altar that appeared at the center of the temple. M & K each produced flat metal Mem and Kappa glyphs which fit to the star. I took this to be an indication that the figure was an appropriate angel for this scrying.The shrouded figure then gave us a metal bee and a metal key but we didn’t place these on the altar with the rest. I had the impression that there really is something missing on the sigil on the right of the star, but also something else missing which was less clear where it might go. We were to leave the sigil pieces on the altar, but take the bee and key with us during the rest of the vision.

We were then alone with each other. Bright sun and warm but very pleasant. We walk hand in hand toward the mountain along a path which leads us to a golden pyramid with somewhat meso-american design.

We climbed to the top of the pyramid and perform Liber XV, the Gnostic Mass together, but at the end of that ritual we fling the goblet and paten from the top of the pyramid down the stairs against which they shatter. This felt like a joyful and appropriate thing to do.

From this point on the visuals become fragmented, but we spent time together along the beach relaxing and enjoying the environment.

Closing. After journaling, we closed and then discussed our experiences with each other.

Additional thoughts. M had a strong craving for chocolate, which she had the foresight to get at the store. I ended up having some raspberry coconut water sorbet.

My workspace had become quite warm since I had several candles and closed the window and door, so by the end I realized I was quite sweaty and hot.

During the preparation and opening our respective animals were quite noisy and fidgety, but during the scrying they both calmed down considerably.

I woke up the next morning having slept in for several more hours than usual with a feeling similar to a hangover though I’d had nothing but water the previous evening.

Paradigms 2

I previously posted some initial thoughts about paradigms in, honestly, a kind of screed. From the content of that post, it may not be clear why I think the topic relates to my category of esoterica, I think this continuation will tie those together usefully. I note that Mark over at Darkline made some of this connection already based on my previous.

It’s already been over a year since the previous Ask the Initiates panel at Sekhet-Maat, part of a weekend of activity around the annual Thelemic Symposium. Although it’s come up before and since, I recall especially that one of the questions I was asked by the students was what I thought about the reality of magick and magical entities. Now that the Ask the Initiates panel came around again, the topic came around again as well but I may have brought it up myself because I was thinking about it.

My answer has generally been that If I take seriously the notion of “as above, so below”; it simply doesn’t matter whether my experiences are due to some logically positive objective materialism, purely artefacts of my method and mechanics of perception, or even more abstractly simply contained only within a Popperian third world. In otherwords, I reject the premise that it needs must be answered in an Aristotelean way, that I must answer whether these things are either true or false, real or not real, and that I must accept the particular epistemological stratum in which another intends to hunt for snark.

Not only is the snark a boojum, you see; but, these are particularly my boojum. The reality of these entities in question is an epistemological one, not an ontological one; and most definitely not a phenomenological one since the answer is most emphatically about personal consciousness and not a universal. The question of the ontological and phenomenological reality of magick and magickal entities is actually irrelevant to my ability to engage with them and the utility to me and mine of that work. But, the epistemological reality of these same could be of the utmost importance. The real question is not whether these entities have some objective existence, but whether I gain knowledge and experience through the interaction, the relationship. And, moreover whether I have a justified belief in them.

So, I say it doesn’t matter, except, of course, that it does matter in a way. It may be of the utmost importance that I believe, for the efficacy of a particular magical operation, for the usefulness of any knowledge gained in the experience, one way or the other. But, the important issue is that it may also, at some other point in time-space, be equally or more important for me to believe the opposite.

One of my favourite examples of this is Goetic or Enochian work. The operation is one which I might summon specific entities, with whom I work to develop a relationship, or, in cases, mastery over. One view is that the entity has an objective existence independent of my own cognition and experience of the interaction. However, another way of viewing this: I might be simply externalizing parts of myself in order to gain the distance necessary to integrate those parts of my shadow with which I could not otherwise engage. It may be completely necessary for me to not only act as if the goetic entities are real with independent existences, but also to actually, for some period of time, be completely convinced that is an objective fact.

If for the purposes of a magickal operation, I tend to believe one way or another on the question and the operation is not successful, then it may be necessary to change my mind, alter my thinking, or, change my consciousness in accordance with my will (to sort of make a mishmash of definitions). In other words, if a particular paradigm doesn’t seem to be effective, try another. (And I can’t help but wonder how someone unable to change their consciousness in this way is capable of doing magick at all.)

Here’s where I find myself thinking about the quote from the Principia Discordia: “All statements are true in some sense, false in some sense, meaningless in some sense, true and false in some sense, true and meaningless in some sense, false and meaningless in some sense, and true and false and meaningless in some sense.” The corollary to this might be that in doing magick one will likely need to be pragmatic and artful about the power and limitation of dogma. (I’ll stop before I make the claim that this is also the secret not just to magick but also to peace on Earth, but – Oops. Never mind.)

The mechanism by which this happens has, for me, always been about liminality as long as I’ve known the term. But, moreover, before I really had incorporated notions of the liminal into my thinking, this is surprisingly similar to the act of acting, or rather, for me, the act of being, on stage. For me there’s a concept of an “actor’s brain” which is essentially a doubling of consciousness wherein there is both a character and an actor. Where the former cannot know certain things, the latter must know them; and the “actor’s brain” is where these paradoxical states are reconciled, co-located. Similar to the audience’s suspension of disbelief, where they simultaneously believe and disbelieve the theatrical event; the “actor’s brain” is a place where two conflicting sets of wholistic personality and understanding co-exist, and inform each other, but neither completely subsumes the other. (There are things, in my direct experience, that the character side of the “actor’s brain” knows about how to be and behave which the actor side is unable to discover or fully understand or replicate alone.) In addition to being similar in my experience to the “actor’s brain”, I find this paradigmatic liminality to also have resonance with the notion of suspension in dialogue and Bey’s notion of an autonomous zone [also], and from there a whole host of other things.

Of course, there are other paradigms of acting, to continue the simile, than mine. There are those that are merely mechanical and those that are more fully intuitive. My particular paradigm is one I operate in because of the efficaciousness of that paradigm for me. For the mechanical paradigm, I find that more about performance than ritual, and to and for me theatre is always best when it is ritualized; the mechanical paradigm seems shallow and is to treat the theatrical experience, for both actor and audience, as one of simple deception and manipulation. For the more intuitive paradigm, I find that a slippery slope to madness as so many actors get lost on that road. But, that’s about the utility of these paradigms for me. However, for all these three, there are great actors that have operated in each.

Another example that has always come to mind for me is what I’ve come to see as the Renaissance paradigm shift of astrology. There seems to me a significant paradigm shift where previously the upper determined the lower. after the renaissance, the inner determined the outer. It seems to me that the understanding of astrology radically changed as the paradigm shifts of the Renaissance did. Whereas typically a modern view of the universe is that it is determined from the inside out, that the individual mind and perception of the world, one’s consciousness of the world, changes the world; an earlier view would see the individual as being determined from the outside in, that one’s consciousness was the last mile in a cosmic broadband connection to the divine. Whereas astrology might now see the vagaries of an individual reflected in the stars, that the quirks and foibles of the self are written above, that the individual choices are helped or hindered by the influence of the spheres; it seems to me that an earlier world-view would have seen rather that the self is a reflection of the divine whole, a facet of the larger totality of the universe, that the self is a product of the functioning of the spheres. So, in an older overall paradigm, the notion that the personality of an individual would appear and be amenable to study through the outer makes a great deal of sense. On the other hand, in the newer paradigm, the direction of influence is essentially reversed. In one the stars are the environment in which one acts, and in the other the stars are an intermediate layer in which the influence of cosmic order can be traced to either end, the above or below.

Depending on what kind of information I was looking for, I might need to approach astrology in a radically different way. You know, if one does approach it at all.

Paradigms are sets of meanings derived from observations. The observations don’t really change, unless I get better or different mechanisms and methods of observation, but the value of the meanings derived from those observations is directly related to the utility and efficacy of those meanings as they apply to the work; whether that’s the work of daily living, where the notions of newtonian physics and vector maths and a sensory feedback loop are useful to me as I try to cross the street with my life, or that’s when I’m engaging in a magical operation and trying to gain some effect through affecting efficaciously.

In this way the aphorism “as above, so below”, and its corollaries and co-legates under the wings of their ruling dux, the esoteric archidoxes of the seven hermetic laws detailed in the Kybalion, are all ways of saying paradigms matter but it is not necessary to hold on to them for dear life. “As above, so below”; “as within, so without”; and even “solve et coagula” – these are also structurally the same as the interplay between Self and the Other. There is the Jungian shadow to be integrated, and the self to be absorbed into the communal.

Of course, it really doesn’t matter to me if someone else believes in my experience or not. My “unsubstantiated personal gnosis” is justified to me to the extent that it offers some utility to me. As the Book says, “Success is your proof” … The danger is that I become a victim to confirmation bias, but that’s really a separate question of the scientific rigour of my work. However, the utility of UPG requires necessarily neither that it be shared nor confirmed beyond my own practice. My ongoing personal testing of that UPG is part of the work, such that it may become, at least personally, confirmed and possibly maybe even shared, but it is that the work is that matters more than what is the work, so the necessity is of a different order. It matters not what my paradigm is, but that I have one and that it works for me in the work I need to do when I need to do it. What matters is not the reality of what I do, but the reality that I do it.

In this case, as opposed to a more strictly defined view of the sciences, replicability by others is interesting but not necessary strictly speaking for the value of my esoteric science, and the paradigm in which I operate my scientific method of the work, to be valid and sufficient. However, that’s not to say that sharing and confirming with others is not also useful both as a check on my own work, but also in participating in a community of workers on a shared syncopated operation, perhaps as in the formation of an egregor over time. But, this shared work and my personal work can exist, as much as it is possible for anything to do so since things necessarily on some level exist in relationship with each other, independently of each other. Neither is necessarily significantly diminished by not participating in a system-in-focus with the other, though those connections do necessarily exist in some larger or out-of-focus systemic relationship. In each case it doesn’t, except when it does, matter so much what I’m doing, so long as I’m doing it; and visa versa, it doesn’t matter what work the egregor does, so much that the work works.

In this way magick more closely resembles an engineering black-box problem than an effort at scientific experimental replication. Where the latter is attempting to repeat the method to arrive at the same result, the former is trying to sufficiently repeat a similar result through some method to be determined as necessary.

Låt den rätte komma in

When I saw the movie, I didn’t know there was a book. I think the movie just kind of showed up one day and moved into my Netflix queue. All very normal. Who knew? Then, I watched it. I was so amazed by the originality and atmosphere and everything of the movie that when someone mentioned, “The book is better,” I knew I had to read that too. However, it sat on my stack unread. In fact, I almost gave it away as a present since it seemed a shame to waste a brand new book like that if I wasn’t going to read it.

Then, I’m not sure why, but I picked it up. And, devoured it. But, the whole time I kept thinking to myself, “I wish I’d read the book first.” The pacing seemed really slow to me as I was reading it. I felt that had to be because I’d seen the movie and so I wasn’t discovering the story for the first time. It had to be something, because it was a wonderful story to read.

Well, maybe the word “wonderful” isn’t right, is it? It’s a bleak affair, after all. The pacing is part of the atmosphere. Everyone is struggling to find love in spite of their dysfunctions in a world which indifferently exists around them. I’d say hostile, but that’s not really it. Everyone is doing what they can to survive as wounded individuals, and sometimes that means hurting other people. But, it’s not really out of malice, even the bullies are really not so much vicious as much as indifferently cruel because they are living. And, there’s really no good people, per se, as much as everyone being flawed in such a way that it’s all ultimately ambiguous. And, in the cold and wintery dark, isn’t that idea the real horror? To be alone is to die, but to be around others is to get hurt. To live is to decide to continue hurting and being hurt, and to refuse this is to refuse to go on living. And, that struggle is one that strangles the heart in strange ways, unless you can find the right one that balances out that struggle for a while. So, try to let the right one in.

(It’s an odd coincidence, which will only make sense to those having read the book, that I was proofreading Liber Cordis Cincti Serpente as I was reading the book. After you finish the book, go and read through this Liber to see why this stuck me as synchronicity.)

Then I finished with the story and watched the movie again. As I watched the movie, I realized how very different the two were from each other. The pacing of the movie really was strikingly fast, and after the book the movie is almost dizzying. The movie literally zooms from the start to somewhere in the middle of the book across a couple of minutes. I was really shocked at how much wasn’t there from the book that I had to reassure myself that, in fact, the author was also the writer of the screenplay. Now, that makes it very interesting to think about what got left out, by the author’s own hand; in collaboration, to be sure, but still. Re-watching the movie, I realized there were things that couldn’t have made sense the first time, things that must have seemed odd or wrong about the plot. The movie could have been so very much creepier and scarier. But, it also turned the story from one of many individuals trying for survival, trying to live in a indifferently hostile world, into more of a love story.

In fact so much was left out, that, given what was left unexplored on screen the first time, I’m holding out a bit of hope now that the Americanized remake will actually be truer to the book. Faint hope to be sure, if I’m relying on American cinema to outdo a European film for awesome moody dread and willingness to go uncomfortable places, without turning to shlock and satire.

Of course, I’m reminded of anything by Bergman, but that’s too easy. Like in Cyrano de Bergerac, no one really gets what they want in the end. Like the end of The Princess Bride, it’s really not clear how much time there’s left for those riding off into the sunset. And, as I think about this I’m strongly reminded of my experience of The Silence of the Lambs, because of the realization that instead of any of what would normally be the creepiest stuff, the violence and gore and so on, what really was creepy was the psychological, existential horror that went on in the exchange between the main characters.

While reading the book, there were two places where it seemed to me the translator’s choices stuck out in odd ways, and there was one point past the half way point in the story where I had a feeling that the style of storytelling had abruptly changed. But, all in all the writing and translation seemed to carry me along and into the narrative without making themselves obvious, dissolving into a seamless experience. Nothing here like a tour de force of language, but well suited to the story and did well to maintain my immersion and momentum through to the end.

Now I’m flummoxed over whether I’d rather have read the book first or not. I actually like the movie a lot less now than I did before I read the book. The book is a much richer tapestry and much creepier and much more compelling. I can only, in the end, recommend both, and highly, even in spite of my confusion. They’re such different creatures, the movie and the book, that they both almost live unlives of their own. Both manage to survive, to find a way through the dark; both manage to come out in the end. At least, for a while.

Let The Right One In by John Ajvide Lindqvist; Ebba Segerberg, translator
St. Martin’s Griffin
October, 2008
Paperback, 480, pages
ISBN: 0312355297 (ISBN13: 9780312355296)

Let The Right One In [DVD]; Tomas Alfredson, director; John Ajvide Lindqvist, writer; Kåre Hedebrant, Lina Leandersson
Magnolia Home Entertainment
Released March 10, 2009
114 minutes

Andromeda Klein is unrepentantly and uniquely kickass.

Andromeda Klein

I ran into mention of Frank Portman‘s Andromeda Klein in one of my various frequent search safaris. Here was a “young adult” novel that showed up on my radar because of a surfeit of esoteric references. It seemed unlikely that the story would live up to the seriousness of the references that brought it to my attention. But, even the first few pages seemed thick with terms that most readers might not manage to get past.

For just a minor example, in the first few pages one runs into references to Hermes Trismegistus, Thoth, Mrs. John King van Rensselaer, the ancient Egyptian city Hermopolis, mention and description of several specific tarot cards including Two of Swords, the term ‘soror’, the Warburg Institute, A. E. Waite, Aleister Crowley, Francis Yates, Pamela Coleman Smith, Celtic Cross spread, the Qabalah, some Hebrew letters, the world of Yetzirah, the Sephera Chokmah, the Hermetic Order of the Golden Dawn, Giordano Bruno, Madame Blavatsky, witches, Lemurians, gnomes … and, not last or least, bone disease. This is all within the first ten pages … of a young adult novel.

I mean, I’m into this stuff and so I can hardly imagine what it would be like to read this story if I were coming to it fresh without background. Picking up this book for a newbie must be a bit like going into an initiation of sorts. One might have some sense of the general idea that’s going to be explored, but the specifics are going to be a surprise unless you’re the kind that ruins that sense of adventure by reading ahead. But even still, there’s this sense that things just won’t necessarily make sense right away, and maybe only make sense after doing research over time.

King Dork

And, the story is definitely thick with references and only some of them are explained at all. My initial thought was that for the generation that’s never been without google or wikipedia, that’d be a good thing … reason to look stuff up and find things on their own. It definitely doesn’t apologize for the data, and after finishing the novel (in spite of the glossary unceremoniously placed at the end) there are many references that aren’t explained. Seems like the author’s first novel, King Dork might be a bit like that too, actually; including having a glossary at the end, but with different kinds of references. Frank Portman seems to not make much by way of concession in talking down to the reader. That’s actually kinda refreshing. I’m not sure it’s the best strategy for a nominally “young adult” novel, but it’s definitely different. And, really, why not have a difference from the bazillion bland books being bandied about by bookshops as hopefully half a fraction as attractive as Harry Potter, books heavy on the fantasy but light on the quality. Here’s a book that takes the laudable chance that standing out, and being different, is worth it in the end. But, this doesn’t seem to be a book for kids. Definitely this seems like something for an older target audience than kids, and, indeed, the suggested age is 14 and up. But then again, kids nowadays …

Okay, except, here’s one thing that struck me. The cover of this book seems to have a gratuitous lightning bolt.

Andromeda Klein detail

My first reaction was that It seems an annoying thing if the only reason that’s there is to resonate with Harry Potter fans. There’s no reason for it that I recall from the story, so it seems simply to be deceptive visual marketing. I’m not saying the cover isn’t nice. I like it.

Andromeda Klein EP

Frankly, I like the cover of the two song EP [also,et], which music was composed and sung the author, better as visual art, but the book does have a nice cover design, though not spectacular. Again, it’s different than the many copycat covers trying to simply knock off the Harry Potter cover styles, but in a way that kind of makes the superfluous lightning bolt even more cheap as a design choice. Then again, it occurs to me that I can rationalize the cover as a graffiti riff off the Harry Potter cover font and design, with a self-consciously mutilated printed page; that is to say, this could represent a DIY-culture statement of self-conscious identity both claiming and disclaiming connection. Other than that, the cover is brilliant in the same way that the GranPré covers for the US Harry Potter books tie into some main part of the plot without giving anything away in a spoiler.

On the other hand, if you’re looking at the hardcover, be sure to check out the inside of the dustcover. There’s a great, and even more great because unnecessary, touch there. (If you want to check it out, there’s a picture of that here.) At first sighting, I thought it was an alternate cover meant to look like one of Andromeda’s school textbook or notebook covers, the kind I was always doodling on back in the day my own self. But, it’s mainly just a bonus bit of design, which is as entirely appropriate to the story as the primary side of the dust cover. (Some day one of these series of books is going to make the spines create an interesting image on the bookshelf when they’re next to each other, and it’d be neato if this idea of using an alternate cover design were how that’s done.)

As I read Andromeda Klein, I felt the pacing and delivery to be appropriately punkishly quick and even a little syncopated (especially given the author’s background). For me it’s fast-paced with information, but it’s also fun. Could I even say a hint of Tom Robbins in feel to me? Sure, I can say it. There are lots of things that are revealed in the story, and not just plot points. There are a lot of terms, concepts and ideas that are explained a paragraph or more past where they first appear. But, there are also some that take a lot longer or aren’t explained at all. In at least one case, I found myself wondering if the choice to not explain a reference was strategic: Anton LaVey is mentioned but the abbreviation “CoS” is never explained to “Church of Satan”. That choice seems a bit ironic since there’s a bit of appropriately absurd satanic panic included in the plot, but it might just be one example of something that is simply never explained. Seems to me this would either be something a reader would love or not love, and that’s another refreshing thing; instead of being denatured in order to be more accessible.

Look, this is to Harry Potter or Harry Dresden as The Invisibles series is to The Illuminatus! books. It’s punk, damnit. Andromeda Klein is grounded in the gritty reality of a world where kids do things like have sex, drink, cut, die, fight, and, of course, are attracted to the occult. This is also a world where both kids and adults can be troubled, irrational, suspicious, narrow-minded and cruel. But, there’s also striving to find meaning and connection. And, for a rare few, there’s the drive to develop and change the world, even if that’s just one person at a time starting, like a well-known conversation between Krsna and Arjuna, with the self.

This story has a style, which seems to be the overall style of the author, which isn’t compromised. That’s a delightful thing. The story might have been told without this style, but why? Why make the telling of a story just another bland porridge of words lulling the reader along easily toward a final “meh”? The style of this story makes the reading of it an experiential example of the way the main character thinks and sees the world. Some of this distinctiveness is mediated by the realization that it isn’t completely unique since it appears at first blush to be the author’s overall style as well in King Dork; but, it really works for this character and this story natheless. (This, of course, must needs be tested by reading King Dork, ASAP!)

The references are a bit thick, and it’s also got its own idiom. There’s a lot to decypher in this story, just like in much of the source materials contained in the esoteric books mentioned within. Won’t say or imply it’s Clockwork Orange level of idiom, but to me it’s got a kind of Whedonesque flavour in its willingness to develop its own language and quick (oc)cultural references. At first it seems to be doing self-conscious name and concept dropping, but I came to like it. It’s part of the fun. Won’t say or imply it’s a got a lot of hidden meaning that requires one to actually treat the text to analysis through esoteric techniques, but the story demonstrates and models the main character going through a lot of esoteric thinking, pattern seeking and connection exploring.

One of the consistently fun dimensions of this story for me was the use and playfulness of language, terms, concepts, idiom, malapropism … it’s word play without being superfluous. Unlike, say, a Xanth novel where the story simply seems to end up being a delivery method for word play which came before or independently from plot development, instead the word play is integrated and an essential character to the development of this story and character, where language and the fractured nature of that is a reflection of the nature of the main character. Not a few times, I thought to myself as I was reading a passage with a fun malapropism: I wish I could more spontaneously talk like that. The only other time I recall right now I’ve felt that was reading some Heinlein dialog, the parts where there are several conversations going on at once, syncopated. I feel this is a unique experience of the written word when compared to others nominally intended for the young adult audience, although I somewhat gather that there will be a similar sense to the author’s other work. The point is that this story definitely has a voice, and one that was compelling to me.

Andromeda Klein has got a lot in there to offend uptight parents and squares, with magick, sex, drugs, death, language and more attitude. Even those uptight about esotericism will likely get tweaked. It’s kind of refreshing, actually. There’s way, way too many stories with weakly developed “magic” in them. I mean, she does an LBRP in the library and is actively practicing Liber Jugorum, for just an example among many. And the frankness about which a wide number of topics are discussed is interesting and similarly refreshing. It’s spiffy.

The author’s approach to a wide variety of topics is refreshing and unique. Probably nothing exemplifies this more clearly as a single example to give the character of the rest than the simple fact that Aleister Crowley is not a boogeyman in this story even though he and his work are included both implicitly and explicitly throughout the story. But, these references are matters not treated with sensationalism or as an ersatz archetype of evil, both of which are so very often the case when authors seem to take the easy, lazy way out. Rather, the life of Andromeda Klein is suffused with fictionally drawn and developed, to be sure, but also essentially normal and natural magical practice and rite and thinking in both action during the story and exposition of events outside the timeline in the book.

All this, you know, talking about interesting things, can’t come without cost, of course. I read that one of the author’s appearances at a school was cancelled because of parent complaints. And, I think this actually is the book that all the reactionaries thought Harry Potter was, as far as even only the esoteric references go. But, you know, even if you took all that out there’d be plenty left to cheese off the same kind of people that couldn’t even handle Judy Bloom, maybe enough even on just about any single page. However, I’m really heartened by the statement on the copyright page that “Random House Children’s Books supports the First Amendment and celebrates the right to read.” That statement doesn’t appear on the copyright page of the edition of King Dork that I picked up that includes a preview of Andromeda Klein, so that statement appears to be uniquely in this book. Good on them, anyhow, to stand up with and for a work like this. And, I suppose one of the best things for getting the word out would be for more people to freak out and thus only advertise wider that it exists but also essentially prove that the book is something worth reading.

I once lamented the treatment of magick in stories like Harry Potter and others, essentially convenient literary mechanisms with no real meaning or necessity. What would a story look like if it were written with real magick in it, I wondered. Well, this story may be the closest thing to what I imagined yet. The Universe moves or not for Andromeda because she’s making progress working on herself and her environment in accordance with her inner drive to find and then fulfill her own individual purpose.

This story shows a kind of magical thinking that isn’t offered in other stories. It’s explicitly ceremonial and symbolic. It’s not just a MacGuffin or Deus Ex Machina to drive the story, it is the story. Rather, magick literally has personality. Moreover, magick has several characters. There is a demonstrated Intelligence, and that makes the story surprisingly intelligent.

I find myself feeling that Andromeda Klein will have a place next to The Various and Below the Root for me. While reading I held up that hope it would hold up. At times, I even crossed my fingers. In fact, for me the comparison to Below the Root is apt, especially because of the way that Snyder’s novel was frank about sex and drug use as well as also being similar in that it faced complaints from parents and adults for that treatment.

And, know what else is cool? She’s not an orphan. it’s a little thing, but that’s refreshing too. Of course, there’s Harry Potter and quite a few current literary protagonists like Lyra and Lirael and Sabriel and Dorothy and Superman and Batman and even Dahl’s Matilda was essentially, if not technically, an orphan until the end of her story. Further, there’s Moses and Vulcan/Hephaestus to name only a few more historical examples. The archetype of orphan is an almost obligatory line item in the pedigree of literary children with special powers, and it is extremely overused even if I also recognize that it has very strong resonance. [see,et,et] As I read the story, I actually had a creeping dread that Andromeda would turn out, somehow, to be an orphan just because of how overused that trope is in such stories.

However, while not an orphan Andromeda is very much a rough ashlar, of course, but the formula is different. She still fulfills an archetypal function which represents a flawed origin. Andromeda is Batman to Harry Potter’s Superman. She is not miraculously the chosen one, but rather has gotten to be who she is through hard work and lots of research. Andromeda is maybe a post-modern Everyman or Chauncey or Zelig, on a kind of Fool’s journey toward attainment, even so far as to starting out, not as the blank protagonist, but rather as a physically, socially and emotionally flawed former sidekick to her late best friend. So, actually, in some ways, Andromeda is, perhaps, like a young Robin in a universe where Batman died too soon and his parents didn’t (See, because even Robin was also an orphan!), learning to become Nightwing on his own, without actual super powers but still a hero with amazing skills and a story worth telling.

As I read this story, it was in my mind’s eye like a mashup as if Welcome to the Dollhouse [also] would have been directed by Alfonso Cuarón [see].

The library angle is definitely a nice touch. The excitement I thought I’d feel while reading is what I thought I’d feel reading Francesca Lia Block’s Weetzie Bat after such heartfelt recommendations from the librarians I once worked with, though for me Weetzie Bat didn’t quite live up to my built up expectation. There’s not nearly as many library science references as there are esoteric ones, but there’s mention of interlibrary loans, reference desks; and, the politics of the public library as part of a library system and in the community is definitely part of the story.

So, honestly, after finishing the book, I’m actually not entirely sure that the ending was quote-unquote satisfying. But, I don’t think that’s a bad thing. This was a story that was also unique in that it wasn’t a perfect Hollywood ending wrapped in a perfectly explained and ordered bow. Like many European or non-Hollywood films, I’m left with the experience of a compelling story, regardless of some notion of being satisfied, that I could hardly put down and read the whole way hoping for it not to end all the while looking forward to each new revelation. There’s ambiguity left over at the end, even if there were, to be honest, also a couple bits of dénouement that had me rolling my eyes or feeling an opportunity was missed, and not just sequel-ready ambiguity. Sublimely, some of that ambiguity is around the ultimate nature of magick, and that such a central element to the story is left as an exercise for the reader to decide about for themselves seems to me to be a beautiful thing because first and foremost it rejects a fantasy of magic for a truth of magick. In fact, I can imagine how hard it might be to develop a sequel to this story, as there’s so much character and world development in the esoteric references and thinking that to re-hash that, as sequels often are forced to do to bring new readers up to speed in case they’ve not read the first installment, would require re-telling so much of the same story as to be ponderous and overwhelming. This could easily be forever a standalone novel, even with the left over ambiguity. Maybe even better because of that left over ambiguity after all.

Even though I find the ambiguity and uniqueness praiseworthy, I find myself drawn to wonder idly where does Andromeda fit in the Wold Newton family and how long until there’s an appearance of Andromeda in Wizard Rock. Perhaps these are just whimsical questions, but I did find myself wondering about them.

However, in spite of, but moreover maybe because of the apparent flaws; I, for one, would happily read the other, as yet unwritten, 21 volumes of Liber K. And, I recommend this book to both you and your precocious, precious little snowflakes.

Andromeda Klein by Frank Portman [kindle, paperback]
Delacorte Books for Young Readers
August, 2009
ISBN: 0385735251 (isbn13: 9780385735254)
Hardcover, 432 pages

And now the method to my madness … probably still makes no sense. However, the reason I was thinking about the meaning of the term “hermetic” a while ago should be clear.

But, the thing I’ve been madly working on for at least a hundred hours this week? What have I been hammering and sawing on? Sanding and painting?

Well, the cat’s out of the bag now! Al Billings has transfered The Hermetic Library and the domain to me. I’ve become the custodian and caretaker of one of the most important esoteric sites on the Internet, and one that’s been online pretty much since the beginning.

The Hermetic Library

The Hermetic Library was created in 1996, in the early days of the commercial Internet, and is one of the most comprehensive and popular resources on the Internet for the kind of information in its collection. is justifiably famous, and perhaps a little infamous, as the source for an amazing collection of information useful to every researcher and student of esoteric studies and the modern Western tradition. Many students over the last decade found their start and much information useful to them by perusing the materials of The Hermetic Library and started their own electronic libraries by downloading pages and pages of content for their use and research.

Over a decade after being founded, Al was looking for someone to take over The Hermetic Library and, and my name came up in a couple conversations. Introductions were made, memories remembered and the library was transitioned to a new caretaker. The rest, so to speak, is history yet to be written.

The Content

The collection is, by and large, of a spiritual focus but not the areas of spirituality that you will generally see within the mainstream of Western culture. The collection at the library houses materials related to Hermeticism and magic that would not otherwise be available, especially online.

The content currently exists in two main groups. The first group is content that is archived and presented which otherwise might not be available because there’s no one to maintain it or for some other reason. The other group of content is the sub-sites for particular luminaries.

It would have been unfortunate to lose this amazing archive or any of the sub-sites to the Wayback Machine. If The Hermetic Library didn’t exist people would probably go to Wayback or a torrent to get it … or worse and more likely to a site unfriendly to O.T.O. But, keeping alive on the web means that it can be leveraged to increase traffic to local body sites, Grand Lodge and International. It can also lead to book sales, through linking to the published books with related content. In fact, I’m already seeing this begin to happen as I’ve added such links. And, it can lead people to becoming interested in membership and initiation in the Order, or at least in Thelema.

The loss of wouldn’t stop people from getting the content. It would stop people from getting that content from a quality independent site. It would stop people from getting the content in a manner that supports O.T.O. and can be leveraged to bring O.T.O. more eyeballs and book sales and members. The loss of would silence a supportive voice for the Order and Thelema.

I will, no doubt, stand up and be counted as believing that having this content online on a site which is fully part of the thelemic and O.T.O. community and, moreover and a fortiori, that is friendly to the Order; will do more to help both the Order and members than any alternative. Well, that’s just pure physical and spiritual gold. is a voice speaking to the good against any other site which might not. is an existing powerhouse for promulgation and I only see that increasing if it can continue building. The more content there is in The Hermetic Library the more valuable it is to the people that use it, to our esoteric community, and to O.T.O. specifically.

The content on has been an important part of the esoteric community for so long. The relationship has obvious reciprocal benefits as people can find what they are searching for and more people are attracted to the site, but the loss of interactive history when there is no such archive is something I work to avoid. I’m looking forward to working with luminaries new and existing who want to be on the site, not because they’re a luminary, to which I’m mostly immune anyway; but, because it’s about shared history as well as the future. The past is what helps the future become and become more through feedback.

I see sponsoring sub-sites on a high-traffic site like (it’s really phenomenal looking at how fast the traffic adds up as I add tracking to pages) as being either a service to luminaries that do not have sites (for whatever reason) in order to get them exposure, or as a way to feature a luminary with a primary site in order to get people to see both their content and to find their primary. I plan on developing more such relationships in the future as well as work with those that have been on the site to increase the value to everyone of being part of The Hermetic Library. Either way, being on a sponsored sub-site is free advertising.

I have so many plans that involve the site as a part of the community, fully engaged as a partner in the online presence of the Order, and as a service to the world in promulgating the message along with the Order. But, also as a service in general to the world, which I feel is sorely in need of more Hermeticism and all that entails.

The Future

This opportunity to take on is huge, and exactly the kind of thing that I love to do. I’ve got years and years of plans already in the works. I’m actually really freakin’ happy to get to do this stuff. It’s the kind of thing I’m meant to do, I think.

I look forward to working with the people with content already on the site as I continue to update and improve the site. And, I’m going to be looking for new content and building new relationships.

If you are familiar with the site you may already notice a few changes, but I will be rolling out some more as time goes by. I have in mind to keep to the spirit and excellence of the site, while adding content and improving the old pages. I’ll also be working to introduce the site to a wider audience, including adding a presence on social networking sites and other ways to engage the audience of people coming to the site.

There’s also the idea of using excerpts and samples to draw people to full articles or the additional article on an author’s primary site. Even a fully developed article on that duplicates content from an author’s main site can be beneficial if it draws traffic to their primary or gets that article exposed to more people. There’s a lot of synergy in cross-posting content, and creating relationships with other sites.

As an example of a totally new project, one of the things that I have in the back of my mind is to create an oral history project page for The Hermetic Library with materials to help people create oral histories with the people they feel have been important in their lives, in their work and Work – this is to say, preservation of history is something I whole-heartedly support.

Also, I’m going to be working to get in the loop with any changes or updates that people with content on the site have going on. I have all kinds of ways I can feature the news about a new book or event through the site, and that’s just the kind of updates I hope to offer the site’s audience about those people with sponsored sites.

The Social

I’m pretty focused on exploring how to leverage the site, and the content to drive interest in the published books, O.T.O. as an organization; and, to create a lot of synergy with other sites, local bodies, individuals and so on. I think one of the biggest advantages to having me take on the domain is that I’m really interested in the synergy the site can generate to increase awareness and traffic to O.T.O. sites, and for individuals who have sponsored sub-sites.

As I’m beginning to see just how many people come to the site, it’s obvious that there’s a lot of traffic. I’m only tracking a small set of pages, and already the trend on that set will be millions of eyeballs every year. Who knows how many there are total? I’m going to be watching this as I make changes too, to see if the numbers trend up.

But, really, a supply of millions of fresh esoteric eyeballs? I mean, what would you do with millions of eyeballs? I know! Right? Build a freakin’ monster, of course!

For example, in the coming months, not only will I be doing basic updates and improvements, but I will also be introducing new ways to increase interest in the material and O.T.O. both. These include social networking, which I’ve already begun, and other projects.

I know there are things I can do to maximize the benefit of having content on especially now that it’s likely going to see even more content and more traffic as I add and improve the site. I’m looking at ways to becoming more synergistic with other resources and social networking, and so on, including cross-referencing with Thelemapedia, and other ideas I have.

Another thing that’s new is connecting with social networking. I can make announcements featuring incremental or monthly updates to the site, to keep awareness about the site fresh by posting those to The Hermetic Library accounts on Facebook, Twitter and even Delicious links … and from there inform the world!

I can make the site more friendly and easier to navigate. I can also make it easier for users of the site to let others know about the content by adding social bookmarking links to each of the pages. I can add links to purchase books through Amazon for not only content that’s on the site but also for content that can only be found in print, so people can easily find the material to build their their personal library even as they might also use the site to search for a quote or material.

As I move the site into more interactive space, with social networking, any interactive tools I implement might attract the crazy. This is a good heads up to me about creating interactive services which might be abused. I will need to include this in my thinking, as something to be on guard about. But, as long as there’s some way to deal with that, the benefit for the site, and thus also to the users of the site only increases.

This increasing benefit from interaction means not just the context of the text, but of the audience to the text, the authors to the audience, and the audience to the audience. That means also relationships with partner websites, and organizations, such as various local bodies, sites like Thelemepedia and O.T.O. [also] itself.

I’m trying to create the ideal conditions for the emergence of an integral esoteric bio-mechanical social web of interdependent physical, intertextual and hypertext forms … or, to coin a term, the Interintegregor!

I think I’ll come to Halloween dressed as this new superhero. It’s a superhero. It’s a freakin’ monster. It’s a desert topping!

The Feedback

Well, this is where you come in. Yes, you. You’ve been to the site, maybe even been a devoted user. But, even if you’re new to the site and have just started to explore what’s there, you’re part of this. Thank you very much for being a part of the history of what has made a great site on the Internet, and I look forward to working with you in the future.