If I were starting a Rosicrucian group …

… it would probably look a lot like the Hermetic Library Fellowship Program, or, rather, what that would be if more fully developed toward what I hope that project will become. And, I’ve been meaning to write more about my ideas and aspirations for the Fellowship Program, so I just might actually do this, even if it’s only in theory for the most part.

Recently, you may have noticed, Jeffrey Kupperman, of Journal of the Western Mystery Tradition, posted a series: “If I were to form a Rosicrucian Order …“, “Why I’m not Starting a Rosicrucian Order” and finally, even after he posted the image of a lamen suspiciously like something for such a thing, “I Did Not Start a Rosicrucian Society“. Likely inspired by this Anthony Silvia, of Gnosis NYC and the Talk Gnosis podcast, posted “I Am Not Forming an Open Source Order of Martinists …“.

Here’s my sense: Rosicrucianism as described in the source material is simply a group of people bonded together by a brief code to be of service to humanity and to develop and preserve certain esoteric knowledge. All of the oft associated structural and dogmatic cruft is either imported from the wider Western Esoteric Tradition during the 17th Century’s Rosicrucian Enlightenment, or accreted during the Victorian and Edwardian period of development by Freemasonry of the Rose Croix degree within Scottish Rite and SRIA/Golden Dawn style syncretic Hermeticism. The literary Rosicrucians of the Fama and Confessio are really quite simply organized without much of anything by way of necessary dogma.

Anyway, the whole highly-structured fraternal and/or teaching order thing has been done and done and occasionally “stick a fork in it” and, even, sometimes “can we bury it now because it is starting to smell.” Many still exist, so why start another one just like something already done? If you want to get involved in one of these, let me commend you to a few excellent organizations, about which I can personally vouch more or less, OTO [also], A∴A∴ [also], Golden Dawn [also, and] … and so on, YMMV. Keep your wits about you and do your own research.

Instead, I would focus on starting from the barest and most minimal interpretation sufficient and necessary. I would be inspired primarily by what the Fama and Confessio say about the Brotherhood of the Rosy Cross, and some few later developments such as Joséphin Péladan’s Salon de la Rose-Croix; and, some few indirect inspirations like Benjamin Franklin’s Junto [also], Utne‘s Salons: The Joy of Conversation, my own dialogical work, and so forth. However, for me, the temptation to develop complicated and convoluted structures is strong and therefore something to strongly avoid.


Although I am trying to adhere closely to the simplicity demonstrated by the model of the literary evidence, I am clearly going to eject certain elements. For example, no one will need be German, a Crusader, or even Christian. Nor need one be directly connected to some lineage, order or other organization. Members will also not be required to conform to some such period customs like drinking warm, non-carbonated German beer from tankards made from lead-laced pewter.

If I were to start a Rosicrucian group … it would be a bit of salon, communitarian and egalitarian, for students and scholars, and very likely organized in support of the mission of the Hermetic Library. The group would occasionally meet in person, but connect frequently via modern communication tools and perhaps a private forum. Like a Junto, the group would be dedicated to inquiry and self-improvement; with members providing a weekly summary of some interesting developments to share with the group as well as offering longer form presentations quarterly. I imagine a small group of people, each dedicated to some particular theory and practice. Each would have a personal practice of some kind and they would be engaged in some project to present esoteric thought in service to the larger community, and I imagine that these presentations would be done through Open Access [also] repositories of articles collected in sub-sites for each fellow at the library and also made available via the blog and journal.

There would be no initiations or other accouterments of the Victorian esoteric or pseudo-masonic orders, but there could be shared rituals. I have in mind here the observation made by Ronald Hutton in The Triumph of the Moon: A History of Modern Pagan Witchcraft that without unifying dogma it is the shared rituals that maintain the neopagan community. There may be some shared rituals or practices to help group cohesion, synchronic and diachronic links between members and the collective, including some expressed when apart and some when gathered.

Membership in the group could follow this idea somewhat like the master and apprentice relationship between Jedi and Sith, including the idea that the apprentice only takes the place of the master upon that person’s death, though hopefully without the Sith’s Rule of Two custom of fragging! Within the literature, generation two doubles membership size to generation three, so there is a suggestion that at some time the ranks of the group could be allowed to double, or at least that is something to consider if it ever comes up that members have found a number of suitable potential members to justify growth. Or, instead of setting a rule about this, the group could simply welcome new fellows as they are welcomed to the library site, while helping that process with suggestions and outreach.

In spite of the rule about not being constrained to wear any particular habit, it’d be nice to have some kind of way to identify each other when necessary. Even if that were something similar to and as simple as the shock of red against one’s fashion adopted by Rêveurs, described in Erin Morgenstern’s The Night Circus. But, perhaps this would be a choice made in the moments when necessary, such as prior to any meeting.


The organizing principles of the literary Brotherhood of the Rosy Cross are enumerated in just six explicit rules, though there are within the literature other obvious organizing principles, such as that of each member maintaining and developing volumes within the order’s Philosophical Library. This last I would interpret as members participating in both theory and praxis around topics that suit them and their interests, and that they are involved in the preservation and presentation of that information; clearly suited to the overall mission of the Hermetic Library.

Translating the core six rules from the literature, I would propose the following for this new group:

1. That none of them should profess any other thing than to be a student and researcher, and to be involved in making their studies available in accord with the principles of Open Access;

2. None of them should be constrained to wear one certain kind of habit, but therein to follow their own custom and that of their country;

3. That every year, or some reasonable interval, the group should hold some gathering, to meet in person;

4. Members should cultivate relationships with other students and researchers who might be suitable for membership in the group if such openings become available, but in any case, who may interested in participating in the various projects at the library.

5. There should be some identifying insignia or symbol to represent the group, and members should make known their involvement in the group.

6. The group would maintain the privacy of members and their details, in accordance with the general principle of not revealing anything about another that they have not themselves made public; including personal details and details about their studies and research.


At this point, one might wonder what makes this specifically Rosicrucian, as opposed to simply a group of people engaged in and organized around esoteric study. To this I would simply elaborate that the group is inspired by the principles of human perfectibility through esoteric study and practice along the lines of the Rosy Cross formula of the Great Work, about which plenty more could be said. However, I think this notion is one that might need to be expressed explicitly for the group to be Rosicrucian. Although, it could also be left unexpressed, and the group could simply be inspired by the model provided by the literary Rosicrucians and this could instead simply be the Hermetic Library Fellowship Program more fully developed, much as the Invisible College and the Royal Society were inspired but not fully constrained by the notion of a network Rosicrucians.


Benjamin Franklin details his Junto project in his autobiography writing:

“I … form’d most of my ingenious acquaintance into a club of mutual improvement, which we called the Junto; we met on Friday evenings. The rules that I drew up required that every member, in his turn, should produce one or more queries on any point of Morals, Politics, or Natural Philosophy, to be discuss’d by the company; and once in three months produce and read an essay of his own writing, on any subject he pleased.

Our debates were to be under the direction of a president, and to be conducted in the sincere spirit of inquiry after truth, without fondness for dispute or desire of victory; and to prevent warmth, all expressions of positiveness in opinions, or direct contradiction, were after some time made contraband, and prohibited under small pecuniary penalties.” [via]

With this in mind, I would like to have a group of core people who are actively presenting information of interest not only to themselves, but also to the audience of the library. This means helping to develop content for the site, and related social media.

I also imagine that a group I formed would follow a few of the membership principles set out by Franklin for his Junto, in the form of some questions to which they might answer in particular ways:

1. Have you any particular disrespect to any present members? Answer. I have not.

2. Do you sincerely declare that you are dedicated to the Great Work in service to humanity? Answer. I do.

3. Do you think any person ought to be harmed in his body, name, or goods, for mere speculative opinions, or his external way of worship? Answer. No.

4. Do you support the Hermetic Library and will you endeavor support its mission yourself, and share information about and via the library to others? Answer. Yes.

The group might also generate a series of ongoing questions to guide their inquiries, and make those part of the set of customs for the group.


Inspired by Joséphin Péladan’s Salon de la Rose + Croix, ignoring for the most part his overall Mystic Order of the Rose + Croix movement, I would personally would enjoy this more if there were effort to promote esoteric arts and culture, and, like the original, developing actual Salon de la Rose + Croix events could be part of the praxis of the group.

Obviously, this is something that I try to do with the various participatory pools at the library (such as the audio, visual, video and arts and letters pools) as well as within the Anthology Project through the Hermetic Library Albums and Hermetic Library Journal. And, to no small extent, this is one of the motivations behind the idea of a Hermetic Library Reading Room, as it exists in my imagination and also on the library blog.

So, maybe I’m starting to import my other existing projects into this idea, which can and perhaps should remain separate.


T Polyphilus has the personal practice of writing something about each book he reads, as he says, “on the principle that if I have nothing to say about something, I can hardly justify the effort to read it in the first place.” I could imagine that it might be good for members of the group to also take up this practice, and that these reviews, like those by T Polyphilus, would be made available via the blog.


I recognize that there may be need for more structure to function, and I’d propose that the group keep track of the set of organizing principles, the necessary and sufficient structures, and also a set of customs, the agreed upon additional behaviours. Generally, for this discussion about organizing principles and customs I’m going to use terminology imported from Peter Suber’s Nomic. At the core, I would would begin at Nomic rule zero, that all participants must agree to the rules. Organizing principles would be Nomic immuntable rules. Customs would be Nomic mutable rules. The organizing principles and customs would all be subject to self-ammendment, but always subject to the necessary and sufficient cohesion of rule zero. I also propose an even more primary rule, which I’ll call rule i (imaginary unit), which represents the simple observation that all rules have a scope of real effect, beyond which they are meaningless, in other words rules which attempt to legislate delusions or absurdities are self-evidently meaningless and without need to attempt they be enforced. I see this last as a guard against the group trying to legislate overreach beyond its own self-governance.


Recognizing that so far I’ve talked about this idea being tied closely to the library, there’s two alternate directions one might take in modifying the idea: more or less meta. For a less meta alternative, the group might simply be something like a “Friends of the Library” organization; but it would seem a bit presumptuous of me to start my own friends group, and it might be a bit duplicative of the options I already provide for people to show support for the library in a variety of ways. A more meta alternative direction would be to understand that all the specific references to the Hermetic Library and related projects are my particular projects, but that a group could be formed for mutual support and improvement between like-minded site owners who have projects of their own, sites and blogs; a kind of association of project owners. This last reminds me of the point that there appears to be no particular organization or association around esoteric venues, an example of one such is my speculative Reading Room; but that there may be a lot of sense in having some way for people doing similar things, running or planning such venues, to communicate, share and support each other.


I’m sure there’s plenty more that could be written about this, but as a final note I think I’ll mention that one thought that has occurred to me is that others might create similar organizations as what I imagine. I’ve always had in mind that the work I do to post on the various social media platforms and so forth is really about trying to encourage people to engage with the materials on the site. So, I could imagine that there might be groups of people who form themselves around their own research and study related to the library. I can also imagine that groups like this might offer information about what they’ve been up to on some regular basis, such as monthly, and I might then post about these presentations and research so that they are available to others as well.

Obviously, there’s no real reason why groups of students would necessarily organize around the library and participate in this idea in particular, but, it’s a thought that came to me in a kind of daydream.

Andromeda Klein is unrepentantly and uniquely kickass.

Andromeda Klein

I ran into mention of Frank Portman‘s Andromeda Klein in one of my various frequent search safaris. Here was a “young adult” novel that showed up on my radar because of a surfeit of esoteric references. It seemed unlikely that the story would live up to the seriousness of the references that brought it to my attention. But, even the first few pages seemed thick with terms that most readers might not manage to get past.

For just a minor example, in the first few pages one runs into references to Hermes Trismegistus, Thoth, Mrs. John King van Rensselaer, the ancient Egyptian city Hermopolis, mention and description of several specific tarot cards including Two of Swords, the term ‘soror’, the Warburg Institute, A. E. Waite, Aleister Crowley, Francis Yates, Pamela Coleman Smith, Celtic Cross spread, the Qabalah, some Hebrew letters, the world of Yetzirah, the Sephera Chokmah, the Hermetic Order of the Golden Dawn, Giordano Bruno, Madame Blavatsky, witches, Lemurians, gnomes … and, not last or least, bone disease. This is all within the first ten pages … of a young adult novel.

I mean, I’m into this stuff and so I can hardly imagine what it would be like to read this story if I were coming to it fresh without background. Picking up this book for a newbie must be a bit like going into an initiation of sorts. One might have some sense of the general idea that’s going to be explored, but the specifics are going to be a surprise unless you’re the kind that ruins that sense of adventure by reading ahead. But even still, there’s this sense that things just won’t necessarily make sense right away, and maybe only make sense after doing research over time.

King Dork

And, the story is definitely thick with references and only some of them are explained at all. My initial thought was that for the generation that’s never been without google or wikipedia, that’d be a good thing … reason to look stuff up and find things on their own. It definitely doesn’t apologize for the data, and after finishing the novel (in spite of the glossary unceremoniously placed at the end) there are many references that aren’t explained. Seems like the author’s first novel, King Dork might be a bit like that too, actually; including having a glossary at the end, but with different kinds of references. Frank Portman seems to not make much by way of concession in talking down to the reader. That’s actually kinda refreshing. I’m not sure it’s the best strategy for a nominally “young adult” novel, but it’s definitely different. And, really, why not have a difference from the bazillion bland books being bandied about by bookshops as hopefully half a fraction as attractive as Harry Potter, books heavy on the fantasy but light on the quality. Here’s a book that takes the laudable chance that standing out, and being different, is worth it in the end. But, this doesn’t seem to be a book for kids. Definitely this seems like something for an older target audience than kids, and, indeed, the suggested age is 14 and up. But then again, kids nowadays …

Okay, except, here’s one thing that struck me. The cover of this book seems to have a gratuitous lightning bolt.

Andromeda Klein detail

My first reaction was that It seems an annoying thing if the only reason that’s there is to resonate with Harry Potter fans. There’s no reason for it that I recall from the story, so it seems simply to be deceptive visual marketing. I’m not saying the cover isn’t nice. I like it.

Andromeda Klein EP

Frankly, I like the cover of the two song EP [also,et], which music was composed and sung the author, better as visual art, but the book does have a nice cover design, though not spectacular. Again, it’s different than the many copycat covers trying to simply knock off the Harry Potter cover styles, but in a way that kind of makes the superfluous lightning bolt even more cheap as a design choice. Then again, it occurs to me that I can rationalize the cover as a graffiti riff off the Harry Potter cover font and design, with a self-consciously mutilated printed page; that is to say, this could represent a DIY-culture statement of self-conscious identity both claiming and disclaiming connection. Other than that, the cover is brilliant in the same way that the GranPré covers for the US Harry Potter books tie into some main part of the plot without giving anything away in a spoiler.

On the other hand, if you’re looking at the hardcover, be sure to check out the inside of the dustcover. There’s a great, and even more great because unnecessary, touch there. (If you want to check it out, there’s a picture of that here.) At first sighting, I thought it was an alternate cover meant to look like one of Andromeda’s school textbook or notebook covers, the kind I was always doodling on back in the day my own self. But, it’s mainly just a bonus bit of design, which is as entirely appropriate to the story as the primary side of the dust cover. (Some day one of these series of books is going to make the spines create an interesting image on the bookshelf when they’re next to each other, and it’d be neato if this idea of using an alternate cover design were how that’s done.)

As I read Andromeda Klein, I felt the pacing and delivery to be appropriately punkishly quick and even a little syncopated (especially given the author’s background). For me it’s fast-paced with information, but it’s also fun. Could I even say a hint of Tom Robbins in feel to me? Sure, I can say it. There are lots of things that are revealed in the story, and not just plot points. There are a lot of terms, concepts and ideas that are explained a paragraph or more past where they first appear. But, there are also some that take a lot longer or aren’t explained at all. In at least one case, I found myself wondering if the choice to not explain a reference was strategic: Anton LaVey is mentioned but the abbreviation “CoS” is never explained to “Church of Satan”. That choice seems a bit ironic since there’s a bit of appropriately absurd satanic panic included in the plot, but it might just be one example of something that is simply never explained. Seems to me this would either be something a reader would love or not love, and that’s another refreshing thing; instead of being denatured in order to be more accessible.

Look, this is to Harry Potter or Harry Dresden as The Invisibles series is to The Illuminatus! books. It’s punk, damnit. Andromeda Klein is grounded in the gritty reality of a world where kids do things like have sex, drink, cut, die, fight, and, of course, are attracted to the occult. This is also a world where both kids and adults can be troubled, irrational, suspicious, narrow-minded and cruel. But, there’s also striving to find meaning and connection. And, for a rare few, there’s the drive to develop and change the world, even if that’s just one person at a time starting, like a well-known conversation between Krsna and Arjuna, with the self.

This story has a style, which seems to be the overall style of the author, which isn’t compromised. That’s a delightful thing. The story might have been told without this style, but why? Why make the telling of a story just another bland porridge of words lulling the reader along easily toward a final “meh”? The style of this story makes the reading of it an experiential example of the way the main character thinks and sees the world. Some of this distinctiveness is mediated by the realization that it isn’t completely unique since it appears at first blush to be the author’s overall style as well in King Dork; but, it really works for this character and this story natheless. (This, of course, must needs be tested by reading King Dork, ASAP!)

The references are a bit thick, and it’s also got its own idiom. There’s a lot to decypher in this story, just like in much of the source materials contained in the esoteric books mentioned within. Won’t say or imply it’s Clockwork Orange level of idiom, but to me it’s got a kind of Whedonesque flavour in its willingness to develop its own language and quick (oc)cultural references. At first it seems to be doing self-conscious name and concept dropping, but I came to like it. It’s part of the fun. Won’t say or imply it’s a got a lot of hidden meaning that requires one to actually treat the text to analysis through esoteric techniques, but the story demonstrates and models the main character going through a lot of esoteric thinking, pattern seeking and connection exploring.

One of the consistently fun dimensions of this story for me was the use and playfulness of language, terms, concepts, idiom, malapropism … it’s word play without being superfluous. Unlike, say, a Xanth novel where the story simply seems to end up being a delivery method for word play which came before or independently from plot development, instead the word play is integrated and an essential character to the development of this story and character, where language and the fractured nature of that is a reflection of the nature of the main character. Not a few times, I thought to myself as I was reading a passage with a fun malapropism: I wish I could more spontaneously talk like that. The only other time I recall right now I’ve felt that was reading some Heinlein dialog, the parts where there are several conversations going on at once, syncopated. I feel this is a unique experience of the written word when compared to others nominally intended for the young adult audience, although I somewhat gather that there will be a similar sense to the author’s other work. The point is that this story definitely has a voice, and one that was compelling to me.

Andromeda Klein has got a lot in there to offend uptight parents and squares, with magick, sex, drugs, death, language and more attitude. Even those uptight about esotericism will likely get tweaked. It’s kind of refreshing, actually. There’s way, way too many stories with weakly developed “magic” in them. I mean, she does an LBRP in the library and is actively practicing Liber Jugorum, for just an example among many. And the frankness about which a wide number of topics are discussed is interesting and similarly refreshing. It’s spiffy.

The author’s approach to a wide variety of topics is refreshing and unique. Probably nothing exemplifies this more clearly as a single example to give the character of the rest than the simple fact that Aleister Crowley is not a boogeyman in this story even though he and his work are included both implicitly and explicitly throughout the story. But, these references are matters not treated with sensationalism or as an ersatz archetype of evil, both of which are so very often the case when authors seem to take the easy, lazy way out. Rather, the life of Andromeda Klein is suffused with fictionally drawn and developed, to be sure, but also essentially normal and natural magical practice and rite and thinking in both action during the story and exposition of events outside the timeline in the book.

All this, you know, talking about interesting things, can’t come without cost, of course. I read that one of the author’s appearances at a school was cancelled because of parent complaints. And, I think this actually is the book that all the reactionaries thought Harry Potter was, as far as even only the esoteric references go. But, you know, even if you took all that out there’d be plenty left to cheese off the same kind of people that couldn’t even handle Judy Bloom, maybe enough even on just about any single page. However, I’m really heartened by the statement on the copyright page that “Random House Children’s Books supports the First Amendment and celebrates the right to read.” That statement doesn’t appear on the copyright page of the edition of King Dork that I picked up that includes a preview of Andromeda Klein, so that statement appears to be uniquely in this book. Good on them, anyhow, to stand up with and for a work like this. And, I suppose one of the best things for getting the word out would be for more people to freak out and thus only advertise wider that it exists but also essentially prove that the book is something worth reading.

I once lamented the treatment of magick in stories like Harry Potter and others, essentially convenient literary mechanisms with no real meaning or necessity. What would a story look like if it were written with real magick in it, I wondered. Well, this story may be the closest thing to what I imagined yet. The Universe moves or not for Andromeda because she’s making progress working on herself and her environment in accordance with her inner drive to find and then fulfill her own individual purpose.

This story shows a kind of magical thinking that isn’t offered in other stories. It’s explicitly ceremonial and symbolic. It’s not just a MacGuffin or Deus Ex Machina to drive the story, it is the story. Rather, magick literally has personality. Moreover, magick has several characters. There is a demonstrated Intelligence, and that makes the story surprisingly intelligent.

I find myself feeling that Andromeda Klein will have a place next to The Various and Below the Root for me. While reading I held up that hope it would hold up. At times, I even crossed my fingers. In fact, for me the comparison to Below the Root is apt, especially because of the way that Snyder’s novel was frank about sex and drug use as well as also being similar in that it faced complaints from parents and adults for that treatment.

And, know what else is cool? She’s not an orphan. it’s a little thing, but that’s refreshing too. Of course, there’s Harry Potter and quite a few current literary protagonists like Lyra and Lirael and Sabriel and Dorothy and Superman and Batman and even Dahl’s Matilda was essentially, if not technically, an orphan until the end of her story. Further, there’s Moses and Vulcan/Hephaestus to name only a few more historical examples. The archetype of orphan is an almost obligatory line item in the pedigree of literary children with special powers, and it is extremely overused even if I also recognize that it has very strong resonance. [see,et,et] As I read the story, I actually had a creeping dread that Andromeda would turn out, somehow, to be an orphan just because of how overused that trope is in such stories.

However, while not an orphan Andromeda is very much a rough ashlar, of course, but the formula is different. She still fulfills an archetypal function which represents a flawed origin. Andromeda is Batman to Harry Potter’s Superman. She is not miraculously the chosen one, but rather has gotten to be who she is through hard work and lots of research. Andromeda is maybe a post-modern Everyman or Chauncey or Zelig, on a kind of Fool’s journey toward attainment, even so far as to starting out, not as the blank protagonist, but rather as a physically, socially and emotionally flawed former sidekick to her late best friend. So, actually, in some ways, Andromeda is, perhaps, like a young Robin in a universe where Batman died too soon and his parents didn’t (See, because even Robin was also an orphan!), learning to become Nightwing on his own, without actual super powers but still a hero with amazing skills and a story worth telling.

As I read this story, it was in my mind’s eye like a mashup as if Welcome to the Dollhouse [also] would have been directed by Alfonso Cuarón [see].

The library angle is definitely a nice touch. The excitement I thought I’d feel while reading is what I thought I’d feel reading Francesca Lia Block’s Weetzie Bat after such heartfelt recommendations from the librarians I once worked with, though for me Weetzie Bat didn’t quite live up to my built up expectation. There’s not nearly as many library science references as there are esoteric ones, but there’s mention of interlibrary loans, reference desks; and, the politics of the public library as part of a library system and in the community is definitely part of the story.

So, honestly, after finishing the book, I’m actually not entirely sure that the ending was quote-unquote satisfying. But, I don’t think that’s a bad thing. This was a story that was also unique in that it wasn’t a perfect Hollywood ending wrapped in a perfectly explained and ordered bow. Like many European or non-Hollywood films, I’m left with the experience of a compelling story, regardless of some notion of being satisfied, that I could hardly put down and read the whole way hoping for it not to end all the while looking forward to each new revelation. There’s ambiguity left over at the end, even if there were, to be honest, also a couple bits of dénouement that had me rolling my eyes or feeling an opportunity was missed, and not just sequel-ready ambiguity. Sublimely, some of that ambiguity is around the ultimate nature of magick, and that such a central element to the story is left as an exercise for the reader to decide about for themselves seems to me to be a beautiful thing because first and foremost it rejects a fantasy of magic for a truth of magick. In fact, I can imagine how hard it might be to develop a sequel to this story, as there’s so much character and world development in the esoteric references and thinking that to re-hash that, as sequels often are forced to do to bring new readers up to speed in case they’ve not read the first installment, would require re-telling so much of the same story as to be ponderous and overwhelming. This could easily be forever a standalone novel, even with the left over ambiguity. Maybe even better because of that left over ambiguity after all.

Even though I find the ambiguity and uniqueness praiseworthy, I find myself drawn to wonder idly where does Andromeda fit in the Wold Newton family and how long until there’s an appearance of Andromeda in Wizard Rock. Perhaps these are just whimsical questions, but I did find myself wondering about them.

However, in spite of, but moreover maybe because of the apparent flaws; I, for one, would happily read the other, as yet unwritten, 21 volumes of Liber K. And, I recommend this book to both you and your precocious, precious little snowflakes.

Andromeda Klein by Frank Portman [kindle, paperback]
Delacorte Books for Young Readers
August, 2009
ISBN: 0385735251 (isbn13: 9780385735254)
Hardcover, 432 pages

J. Daniel Gunther at Sekhet-Maat on May 2nd at 7:30pm

Initiation in the Aeon of the Child

This is a lecture and book signing for the new publication Initiation in to the Aeon of the Child about which some pretty great things are being said. My understanding is that not only is this not simply a whistle-stop on a book signing tour, but this is the only planned event for the book, with books available for purchase at the event; but, I suspect they will go quickly so reserving a copy when registering for the event will be a good idea. The signing will also be a reception with food and drink and even some vending such as other valuable and rare books from Seattle’s Night of Pan Books.

Time to buy that new red dress for your Scholar’s Mistress and take her out for a night on the town …

J. Daniel Gunther is a life-long student of esotericism, mythology, and religion. A longtime member of A∴ A∴, the teaching Order established by Aleister Crowley, he is considered one of the foremost authorities in the field. He serves on the editorial board of The Equinox and acts as a consultant and advisor for numerous occult publications.

In this ground-breaking book, author J. Daniel Gunther provides a penetrating and cohesive analysis of the spiritual doctrine underlying and informing the Aeon of the Child, and the sublime formulas of Initiation encountered by those who would probe its mysteries. Drawing on more than 30 years of experiences as a student and teacher within the Order of the A∴ A∴, the author examines the doctrinal thread of Thelema in its historical, religious, and practical context.

Initiation in the Aeon of the Child - lecture & book signing - May 2, 2009 e.v. - Sekhet-Maat Lodge
Initiation in the Aeon of the Child – Sekhet-Maat Lodge – May 2, 2009 ev